Avid venue profile offline editor pro#
Avid venue profile offline editor software#

There can be a maximum of two Stage Racks linked to one FOH rack. They are linked using a digital snake cable, with an choice to ownership a redundant cable in parallel. The FOH rack contains the DSP and a small amount of inputs and outputs, and the Stage Rack contains the leading stage I/O. The console can either be connected to the Mix Rack, which contains all FOH I/O, DSP and stage I/O in one rack, or to the combination of an FOH rack and a Stage Rack. One sidecar was indicated in the specifics package.

The main unit, which includes a trackball, master controls, faders and meters, can be expanded with up to three sidecars to give a maximum of 56 faders. This was the first and largest control surface in the VENUE range, and was discontinued in 2015. There is also a PC-based offline editor for determine and editing of show files, although there is no audio processing in the editor.ĭigidesign was acquired by Avid Technology in 1995, but its products continued to be branded Digidesign until the brand was phased out in 2010, and VENUE systems are now branded Avid. This is designed to permits the sounds recorded by the artist in the studio to be easily recreated on stage, and to permit for greater flexibility inprocessing without heavy and mechanical-shock-sensitive racks of outside processors.

Avid venue profile offline editor pro#

One of the system's key marketing points is its use of the same AAX DSP/TDM plugins as Pro Tools, an industry specifics digital audio workstation DAW.

Avid venue profile offline editor software#

They can any be connected to Pro Tools, the audio editing software also created by Avid/Digidesign, to render recording as well as 'Virtual Soundcheck' facilities. The category now includes 5 different consoles & a number of ways they can be configured.

You can't edit the plugs offline but they won't need to be redone next time you use that show file.ĪVID has a good user forum and searches there tend to be very productive.VENUE is a category of represent sound digital mixing consoles present by Digidesign in February 2005.

You'll have to do that manually at the console, but when you save the show file back to your USB stick the plugins will be there. The only thing you can't do in the stand alone is instantiate plugins. Using 48 inputs instead of 96, limiting the number of graphic EQs, etc will reduce the amount of DSP the base console requires and can leave you with enough to instantiate another plug. The Venue Standalone will let you specify the target console configuration. The Profile is more compact, requiring more layers and multi-function encoders. The D-Show is big and spacious with lots of dedicated encoders and buttons, the base unit can be expanded with side cars to a scale that rivals large frame analog desks. The control surfaces are the D-Show and Profile. The SC48 is essentially a stock Mix Rack with a 'honey, I shrunk the Profile' surface on top of a flat, double wide rack. Processing and i/o come in 2 fundamental flavors - the FOH/Stage rack combo where FOH does the 'mixing' and Stage does the physical i/o and AD/DA conversion and the Mix Rack, which combines those into 1 rack, but with less expansion capability (shipped with 2, max of 3 DSP cards to the FOH shipping with 3, max of 5). And to expand on what Steve posts: The Venue software is universal to all models, any operational differences are caused by the physical control surface's ability access the functions.